आरोग्यम् परमं भाग्यं स्वास्थ्यं सर्वार्थ साधनम्। सर्वारोग्य प्रदातारं नमामि दिव्य वैद्यनुत्।।
व्यायामात् लभते स्वास्थ्यं दीर्घायुष्यं बलं सुखं। आरोग्यं परमं भाग्यं स्वास्थ्यं सर्वार्थसाधनम्॥
पुनर्वित्तं पुनर्मित्रं पुनर्भार्या पुनर्मही। एतत्सर्वं पुनर्लभ्यं न शरीरं पुनः पुनः।।
भोजनाग्रे सदा पथ्यं लवणाद्रकभक्षणम्। अग्निसन्दीपनम् रूच्यं जिह्वाकण्ठविशोधनं।।
Through her fashion ventures, Rihanna has become one of the wealthiest musicians; in 2021, she became the richest…
Through her fashion ventures, Rihanna has become one of the wealthiest musicians; in 2021, she became the richest female musician at the time, with a net worth of $1.7 billion. Around the time of her second album A Girl Like Me (2006), critics often compared her style and sound to that of Beyoncé. She credits that song with sparking her passion for music and partly attributes her presence in the industry to Houston. She also mentioned that one of the earliest songs she developed an affection for was Houston’s rendition of “I Will Always Love You” (1992). As a child, she sang Whitney Houston songs and “A Whole New World” (1992) into her hairbrush so frequently that her neighbors started calling her “Robyn Redbreast”. She deemed him one of her all-time favourite artists, crediting him with “paving the way for every other artist out of the Caribbean”.
It topped the Billboard Hot 100 for seven consecutive weeks and peaked at number two in the UK; it was also the latter country’s best-selling song of 2010. In June 2010, she collaborated with rapper Eminem on the single “Love the Way You Lie”. In support of the album, Rihanna embarked on the Last Girl on Earth tour from 2010 to 2011. The single “Rude Boy” peaked atop the Hot 100 for six weeks, while “Russian Roulette” and “Hard” both peaked within the top ten.
Lead single “We Found Love” is undeniably the biggest hit to stem from the Talk That Talk era, spending 10 consecutive weeks atop the Hot 100. Her longing continues in “Where Have You Been,” which flaunts Rihanna’s versatility, flipping Geoff Mack’s 1959 country song “I’ve Been Everywhere” into an infectious EDM banger. It was especially refreshing to see Rihanna emerge from one of the darkest periods of her life as exuberant as ever.
If Taylor Swift was the soundtrack to navigating the early stages of teenhood, Fearless is Swift’s coming-of-age record. While her songwriting has developed and matured, feeling like an outsider and carving her own path is a theme she still writes about now, as seen on Midnights’ “You’re On Your Own, Kid.” On the track “A Place In This World,” a song she wrote when she was just 13, Swift sings about not fitting in and trying to find her path.
The thing that differentiated her from other writers — and still does to this day — is her songwriting. The world now knows Taylor Swift as a global pop superstar, but back in 2006, she was just a doe-eyed country prodigy. Despite its ghoulish title, artificial intelligence appears to be the object of terror in what many, including the GRAMMY voters who awarded it Best Pop Duo/Group Performance in 2024, regard as the highlight of SZA’s sophomore. But four years after the Team Edward vs Team Jacob saga wrapped up, folk hero Jason Isbell proved mythical bloodsuckers weren’t a barrier to awards success. David Bowie fans may well feel aggrieved that his post-punk classic “Scary Monsters (and Super Creeps)” was entirely ignored by GRAMMY voters, while the bro-step banger it inspired was showered with awards. It’s a bold feminist act that helped power parent album CrazySexyCool to diamond status and was deservedly rewarded with Best R&B Performance By A Duo Or Group With Vocal at the 1996 GRAMMYS (where CrazySexyCool was also crowned Best R&B Album).
She’d see visceral images in her mind — from battleships to tree swings to mirrored disco balls — and turned them into stories, sometimes weaving in her own personal narrative throughout, or taking on a narrator role and speaking from the perspective of someone she had never met. Crafting a world with characters like the folklore love triangle between those in “betty” and “august,” as well as Rebekah Harkness from “the last great american dynasty” (who once lived in Swift’s Rhode Island mansion), was Swift’s way of venturing outside her typical autobiographical style of writing. Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free. But Lover was more than any accolades could reflect — it was Swift’s transitional album in many ways, notably marking the first album that she owned entirely herself following leaving Big Machine Records for Republic Records in 2018. This evolution is mentioned throughout Lover, particularly in a direct callback to 2012’s Red, “Daylight,” which sees her describe her love as “golden” rather than “burning red.”
She formed a girl group with two classmates; when they were 15 years old, they scored an audition with music producer Evan Rodgers, who was visiting the island with his Barbadian wife. She is also a businesswoman who owns multiple ventures, including the popular cosmetics line Fenty Beauty and the lingerie brand Savage X Fenty. For her work on the single, Rihanna received her first Academy Award nomination, for best original song. Rihanna began working on a new record, but the project was delayed as she took a break from music.
That year, fans also got their first glimpse of the pop superstar alongside Sandra Bullock, Cate Blanchett, and Anne Hathaway in trailers for Ocean’s 8, a female-led spinoff of the popular Ocean’s Trilogy which hit theaters in June 2018. It also spawned the popular radio hits “Needed Me” and “Love on the Brain.” At the 2014 Grammy Awards, Unapologetic won Best Urban Contemporary Album, marking the singer’s first win in an album category. In November 2012, Rihanna scored her first No. 1 album with Unapologetic. The pop star delivered her next effort, Talk That Talk, in November 2011. Rihanna returned back and better than ever in November 2010 with her fifth studio album, Loud.
Seven years into an already extraordinary career, 2012’s Unapologetic became Rihanna’s first album to debut at No. 1 on the all-genre Billboard 200 chart. With this feat, she became the youngest artist to attain the most chart-toppers in a five-year span. That same carefree spirit can be heard in the feminist track “Raining Men,” which features Nicki Minaj — their first of two collabs, as they joined forces again for “Fly,” the final single off the rapper’s iconic Pink Friday album. While “What’s My Name?” may not outshine Rih and Drizzy’s other collabs — including 2011’s “Take Care” or 2016’s “Work” — the second she sings, “Hey, boy, I really wanna see if you can go downtown with a girl like me,” it’s impossible not to whine your waist to the riddim. Through lead single “Russian Roulette” and bitingly catchy anthems “Stupid in Love,” “Fire Bomb,” “Photographs,” “Cold Case Love,” and “The Last Song,” Rihanna explored her angst and confusion. Rihanna was a familiar face by 2007, but with the arrival of her third studio album, Good Girl Gone Bad, she graduated from cookie-cutter pop star to bonafide icon.
Rihanna has released numerous hits, including “Umbrella,” “Diamonds,” “We Found Love,” and “Disturbia.” Rihanna began her music career at the age of 16 when she signed with Def Jam records. In addition to her chart-topping hits, Rihanna has capitalized on her fame with lucrative endorsement deals and her own successful brands, including Fenty Beauty, which revolutionized the beauty industry with its inclusive products. As a pioneer of the music industry, her earnings from album sales, touring, and streaming have consistently placed her among the top earners in entertainment. As an expectant mother, Rihanna continues to inspire her fans, demonstrating a balance between her music career and her personal life.
Off stage, though, she was falling in love again — this time with someone who championed her just as much as the fans did in the areas. It’s apt that she would turn to Max Martin and Shellback, her 1989 and reputation collaborators, to bring that same captivating pop soundscape to The Life of a Showgirl and to capture some of the energy Swift was experiencing. And after two decades in the business, the 14-time GRAMMY winner is giving everyone a glimpse of what she describes as “the most infectiously joyful, wild, dramatic” chapter of her life thus far.
Rihanna has delivered pop hit after pop hit since bursting onto the music scene in the mid-2000s. The album’s lead single, “Work,” featuring rapper Drake, spent nine weeks at No. 1 and earned two Grammy nominations. In January 2016, Rihanna released her eighth album, Anti, allowing Jay-Z’s online streaming site Tidal to exclusively feature the collection of tracks for a week. The album included “We Found Love,” a track with DJ Calvin Harris that won the 2013 Grammy Award for best short-form music video. Less than a year later, when Rihanna was only 16 years old, she left Barbados to move in with Rogers and his wife in Connecticut and work on recording a demo album.
Throughout The Life of a Showgirl, Swift, Martin and Shellback craft tracks that go beyond what they created with 1989 and reputation. Reuniting with her pop powerhouse collaborators Max Martin and Shellback, who worked on her biggest pop radio hits like “We Are Never Ever Getting Back Together,” “Delicate,” “Blank Space,” and “Shake It Off,” was a return to form after the fog of TTPD. (“And all the headshots on the walls/ Of the dance hall are of the b—es/ Who wish I’d hurry up and die/ But I’m immortal now.”) On “The Life of a Showgirl,” she declares with her fellow showgirl that she isn’t handing over the baton just yet. The showgirl is actually the one in charge (“I was your father figure/ You pulled the wrong trigger/ This empire belongs to me”), alluding to her battle to retain her masters.
“Wood” and “Honey” capture the playfulness of true love, while songs like “WI$HLI$T” and “Elizabeth Taylor” see love not as a distraction from her life’s work but as the very thing that makes it feel meaningful. Many of the love songs on Swift’s more recent albums are brimming with anxiety, from Lover’s “Cornelia Street” (“I hope I never lose you, hope it never ends”) to folklore’s “Peace” (“The rain is always gonna come if you’re standing betista casino with me”). One of the biggest takes by critics — that borderlines on sexist at times — is that Swift won’t be able to write good, reflective music that cuts deep like the songs that orbit around heartache and pain.
Adopting a more mature image, Rihanna rose to stardom and transitioned to dance-pop and R&B with the album Good Girl Gone Bad (2007) and its reissue, subtitled Reloaded (2008). Known for her artistic reinventions, she is an influential figure in both music and fashion. She’s closing a chapter of her life — saying goodbye to the heartbreaks, pleading and scrutiny — and embracing a new, well, era that was quietly created during the behind-the-scenes of The Eras Tour. At its heart, The Life of a Showgirl goes beyond the fame, accolades, praise, and anything else Swift has been awarded in her 20-year career. Swift herself has long embodied independence through redefining over and over what it means to be a pop star for over two decades.
She scored another No. 1 hit with the single “Rude Boy,” while the tracks “Hard” and “Russian Roulette” landed squarely in the top 10. Good Girl Gone Bad remains her best-selling album with over 10 million copies sold worldwide. Her lead single “Umbrella,” featuring Jay-Z, lead the Billboard Hot 100 for a whopping seven weeks and later won the Grammy Award for Best Rap/Sung Collaboration in 2008. Her sophomore effort, A Girl Like Me, followed in April 2006, incorporating reggae, rock, and pop influences.
Jess Cartner-Morley of The Guardian called her wardrobe “the most talked-about, influential and dissected in pop”, stating that whatever she wears is quickly reproduced in mainstream fashion. Rihanna has credited her mother as the earliest inspiration for her love of fashion, recalling how she admired her getting dressed as a child. With the release of her third album Good Girl Gone Bad (2007), Rihanna abandoned her innocent image in favour of a sharper, edgier style. Known for her changing style and image, Rihanna’s music and fashion choices have been closely followed by the media. Rihanna has been described by the media as a pop and fashion icon, particularly since the release of Good Girl Gone Bad (2007). InStyle’s George Epaminondas described Rihanna’s videos as cinematic and highlighted their island rhythms, pop sensibilities, and playful sensuality.
As Swift revealed on May 30, she bought back the master recordings of her first six albums, marking the first time she’s been in control of her entire discography. Throughout a total of 31 tracks, the prolific songwriter shelved the glittery pop radio-friendly tunes in favor of more subdued, synthy and heart-wrenching songs. Midnights helped further solidify Swift’s larger-than-life status at the finale of the 2024 GRAMMYs, too, as she became the only artist in history to win Album Of The Year four times. Along with breaking several streaming records — including becoming the first album to exceed 700 million global streams in a week — it was Swift’s 11th No. 1 debut on the Billboard 200, and was the highest-selling album of 2022 (and, remarkably, the second best-selling of 2023).
And yet, she has still come out the other side, sparkling, self-assured and ready to revel in a career built on resilience and reinvention — something only a true showgirl could achieve. When she announced the album, she declared, “And baby, that’s showbiz for you.” No one knows that better than someone who has been through the ringer in the industry like Swift has. What is most apparent on the album, though, is just how much Swift embraces every aspect of who she is.
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